![]() Some critics have suggested that "Once in a Lifetime" is a kind of prescient jab at the excesses of the 1980s. To Byrne, Talking Heads' members were human samplers. Now, producers call it "sampling" and "looping," and they tend to do it with computers. The process of picking a good bit and repeating it is an essential element of rap music. Singer David Byrne says that somebody probably noticed that bass riff as they were listening back to one of the tapes of the sessions. Nobody is totally clear on when "Once in a Lifetime" emerged, but Tina Weymouth told drummer Chris Frantz, her husband, that she thinks he actually wrote the bass riff that's the heart of the song during one of their jam sessions. They'd try to spontaneously create the kind of grooves that are the foundation of Kuti's music and capture that creative process on tape. "I thought that was just the most exciting music going on at the time."īrian Eno and Talking Heads decided that the way to get to that future was to ditch their old technique of writing songs and then recording them, and replace it with improvisation in the studio. "The first time I ever met Talking Heads, I played them a record by Fela Kuti, the African-Nigerian musician who'd invented that thing called Afro-beat," Eno says. ![]() Meanwhile, Brian Eno, who'd been the band's producer for two years, had turned his attention to Africa. Recordings Used: Once in a Lifetime, The Talking Heads Artist: Words/music by David Byrne, Brian Eno, the Talking Heads ![]()
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